Review

Doug Bristol
Conversation:
trombone and timpani

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Publisher: Doug Bristol
Date of Publication: 2008

Performing score

Primary Genre: Solo Tenor Trombone - with other instruments

Bristol, a trombonist and composer who teaches at Alabama State University, created this distinctive work for Joshua Hauser and Eric Willie, faculty colleagues at Tennessee Technological University. A recording of the work can be found on the composer’s web site. You can also peruse several YouTube performances, including the 2009 premiere.

Conversation is organized in a fantasy-like structure with contrasting sections. It opens quietly and slowly with subtle glissandi in both instruments. The melody is based upon a three-note motive that begins in the trombone part and answered by timpani. As the motive unfolds there is a hint of a jazz ballad in the trombone. The first section ends with the trombone and timpani in a quiet unison restatement of the opening motive. The second section is lively and rhythmic in 11/8 meter (3+3+3+2). Timpani provide an ostinato that undergirds the angular, dancing lines of the trombone. A brief transition ushers in a new section now metered in 7/4. The timpani part features rapid sticking that from the score more looks like a snare drum part. The trombone repeats syncopated motives that suggest a jazz chorus. Conversation ends with a rollicking 6/8 section. The parts answer each other in rapid fire succession and then unite in forceful octaves.

Bristol gives us a work of depth. It is challenging technically and musically. Careful attention must be given to the dynamic balance of the two instruments. The timpani sound can envelop and overwhelm the trombone sound in spots, and the welcoming acoustics of a recital hall intensify the dynamic concerns. Conversation is a unique, substantive work. It will provide a stimulating contrast to any trombone recital.

-Paul Overly
Bob Jones University