Review

Edmundo Villani-Cortes
Trombonata (2000):
16 trombone parts requiring a minimum of 19 players

Denton, TX, United States
Publisher:
Date of Publication: 2000

Score and parts

Primary Genre: Trombone Ensembles - 9+ trombones (choir)

Brazilian Edmundo Villani-Cortes composed this Latin rhythmic work for 16 trombone parts requiring a minimum of 19 players. The score is printed with four separate quartets braced together and two parts are printed on one page. For instance, trombone quartet 1, parts 1 and 2, are on one page.  Although the print is large and easy to read, all of the expected difficulties with reading two parts on one line are present in the score and parts. Extreme range requirements exist in several of the parts, the most extreme being c-f2, and most require trigger usage. The top ten parts require tenor clef reading skill. All parts contain melodic and rhythmic interest, requiring a confident command of Latin rhythms and articulations. Because of the intricacies of the rhythmic interaction precise accuracy is critical for a successful performance. Exact attention to dynamics, avoiding the “heaviness” pitfall with the extreme ranges, complex rhythms, and precise articulations are necessary for a desirable performance. Following a ritmico bass trombone introduction, there are nice contrasting sections, including cascading transitions, colorful harmonic and rhythmic modulations, and interesting antiphonal writing. As momentum builds to the end, all parts play full volume with unison rhythms. The final eight measures are indicated “grandioso” with a lush chorale flavor; the last chord spans F1-f2. If you are looking for a tasty, challenging, contrasting style of music to balance a program, this work is a sure bet for the mature trombone ensemble. While percussion parts are not indicated, Latin percussion will certainly complement the performance.

-David Stern
Lewiston, Maine