Review


Henry Purcell
Chacony:

Arranged by Ralph Sauer

6 tenor, 2 bass trombones

Vancouver, British Columbia, Canada
Publisher: Cherry Classics Music
Date of Publication: 2020
URL: http://www.cherryclassics.com

Score and parts

Primary Genre: Trombone Ensembles - 8 trombones

Little is known about the circumstances surrounding the composition of Henry Purcell’s Chacony. It may have been written around 1680. Several years earlier at the age of 18, Purcell replaced Matthew Locke as composer for the 24-piece violin ensemble of the English court. Perhaps he wrote this for some of the violins that comprised the ensemble. We also do not know why he chose the title Chacony instead of the more standard Chaconne. We do know that Purcell was a master at composing variations above a ground bass, and this work is a prime example.

The Chacony, originally for three violins and continuo, has been arranged many times. Benjamin Britten’s setting for string quartet is most notable. A setting for string orchestra is heard with some frequency today. Sauer has transposed the work to A minor from its original key of G minor. He sets the work for trombone octet in two choirs. The theme and the variations are in 8-measure phrases. The first quartet presents the theme. The second quartet follows with the first variation. The quartets alternate variations until coming together for the final variation. The overall effect is antiphonal, quite  different from the original composition but effective, nonetheless.

This arrangement is intended for a “moderately advanced” trombone ensemble. Its technical requirements are quite reasonable—mostly quarter and eighth note motion. The first trombone players in both quartets will need strong chops. The parts inhabit regions above the staff, frequently rising to c2 and just briefly to d2. Sauer’s decision to alternate quartets makes great sense. The fourth trombone parts are not exceedingly low and can be navigated with a single F-attachment. Sauer’s setting will be accessible to many collegiate ensembles. The music is engaging and full of delight. The antiphonal effect will pique the audience’s interest even more.

Reviewer: Paul Overly
Review Published June 24, 2023